Who is the author of The Dialect Resource?

Gillian Lane Plescia Headshot
The Dialect Resource was created by renowned dialect coach Gillian Lane Plescia.

Gillian was born and raised in England and received her theatre training at The Royal Academy of Music. She worked for many years teaching Voice, Speech and Dialects at Florida State University, UNC Chapel Hill and the University of Michigan, and now teaches Dialects in The Juilliard School’s Drama Division.

Her series of self-instructional dialect CDs, which first appeared in the early 1990s, is widely used, not only in the US, but in the UK, Canada and Australia, as well as in Russia, Italy and Germany. The CDs are based on the principle that the study of dialects is best based on authentic models, and to this end she has traveled widely collecting the recordings for her series. The CDs are now the first choice for many actors and many teachers and coaches in colleges and high schools.

She works as a Dialect coach on Broadway and in regional theatres all over the US, specializing in British Dialects with particular emphasis on Classic Standard British. Among the actors she has worked with are Matthew Broderick, Avery Brooks, Brian Dennehy, Ashley Judd, T.R. Knight, Martin Landau, John Mahoney, John Malkovich, Mike Myers, Estelle Parsons, Aidan Quinn, John C. Reilly, Mercedes Ruehl and Gary Sinese.
 
 

What are people saying about The Dialect Resource?

An indispensable resource. Her ear is flawless. Her taste, impeccable. Her knowledge, boundless. Most importantly and most rare for a dialect coach, she is an extraordinary collaborator who actually understands the actor's process.

--Doug Hughes (director)
 

Gillian's expertise goes beyond the sounds and rhythms of the dialect, so an actor is not just imitating the sounds but truly understands why the dialects are the way they are.

--Kyle Donnelly (Head of MFA Acting UC San Diego; former Director at Arena Stage)
 

...high marks to Center Stage for the four week rehearsal period and the thorough preparation of the cast, which has the benefit of coaching on dialect from Gillian Lane-Plescia, one of the most respected and widely consulted experts in the theater business.

--The Baltimore Sun about "The Importance of Being Earnest", Baltimore Center Stage
 

You cannot imagine how GRATEFUL I am that this dialect subject has captured your interest - you are doing a great service to American Theatre. You know as well as I do how dialects continue to mutate and evolve - a lot of tapes I used to rely on now sound stilted and historical to me.

--Bonnie Raphael (Professor of Voice, University of North Carolina)
 

Thanks VERY much for the excellent Welsh tape. You really do an excellent job.

--Peter Trudgill (leading British dialectician)
 

I have found your primary-source recordings, and your analyses of them, to be invaluable resources over the years.  I have often needed to learn numerous accents rapidly, for audiobook and other work, and I don’t know what I would have done without your recordings. As I contemplate moving into the field myself, I appreciate more than ever both the high quality of your work and the judicious approach that you offer.

--Eric Singer (Professor of Speech and Dialects, Rutgers University)
 

Thank you for all of your wonderful work. It is much needed, and appreciated.

--Sandy Shotwell (Professor of Voice and Speech, University of Utah)
 

Gillian Lane-Plescia's tapes [are] great. Clear breakdown of melody line, vowel and consonant shifts and generally first rate native speakers in spontaneous conversation. Gillian points out the idiosyncratic differences for each speaker. She also keeps updating material. I have had good success with actors who used her CDs, with or without my instruction. I just had an actor who tackled Polish and did a marvelous job. Since I was the dramaturg and director I did not have time to coach her. Of course, she was hardworking, talented and had a good ear, but still Gillian gives you a good foundation. I also used her material for the Donegal dialect for Dancing at Lughnasa when I was the director and had time to coach. Great results there as well.

--Barbara Acker (Professor of Voice, Speech and Dialect, Arizona State University)
 

Bravo for all your excellent work.

--Claudia Anderson (Professor of Voice, DePaul University)
 

I love how your tapes capture real people speaking about real life instead of performers showing off their personal finesse.

--Marie Gillespie (Voice teacher, Chicago)
 

I am so happy to finally find your website! I love your Standard British disc. It helped me to achieve what I was told was an almost flawless accent for a production I did of Betrayal last summer in Berkeley. Thank you.

--Carrie Paff (Actress)
 

I've just used your Cockney tape for a show I directed and dialect coached and I found it vastly superior to the other options!

--Ellen O'Brien (former Resident Voice Coach, Shakespeare Theatre)
 

I have your Standard British CD and think it is the best accent guide I have ever found. I used to tape the BBC, rent documentaries and invade my various neighbors' privacy to record the particular accent I was looking for as the standard guides are so dry and lifeless . . so thank you for your approach. It makes my job so much easier!

--Sandi Carroll (Actress)
 

I have purchased many of your CDs and really enjoy them; yours is the most accurate/real/user friendly system I have found so far.

--Caleen Khalsa (Actress)
 
 

Notable actors whom Gillian has coached

Over her career, Gillian has coached hundreds of actors on dialect work. Among this talented group are such esteemed actors as:
 
F. Murray Abraham
Matthew Broderick
Avery Brooks
Kate Burton
Kathryn Chalfant
Michael Cumpstey
Brian Dennehy
Alvin Epstein
Elizabeth Franz
John Christopher Jones
 
 
Martha Plimpton
Aidan Quinn
John C. Reilly
Laila Robins
Mercedes Ruehl
Ken Ruta
Gary Sinese
J. Smith-Cameron
Uma Thurman
Jim True-Frost
 
 
Ashley Judd
Martin Landau
Ted Levine
John Mahoney
John Malkovich
Kathryn Meisle
Zakes Mokae
Mike Myers
Estelle Parsons
Pamela Payton-Wright
 
 
 
 
 

Gillian Lane Plescia - Professional Resume

TRAINING

M.A. in Theatre Florida State University
R.A.M. Diploma in Speech and Drama International Phonetic Association Certificate (Hons)
Royal Academy of Music, London  

AWARDS

Joseph Jefferson Citation (1991) For Contributions to Chicago Theatre as Dialect Coach

DIALECT COACHING

Recent Credits:
Broadway War Horse
Broadway Priscilla Queen of the Desert
The Old Globe Theatre Rafta, Rafta, Groundswell
Broadway The Philanthropist (with Matthew Broderick)
Guthrie Theatre, Minneapolis When We Are Married, The Real Thing, Pride and Prejudice
Center Stage Baltimore The Importance of Being Earnest, Mary Stuart, Peter Pan
Bay Street Theatre Dinner (with Mercedes Ruehl)
Yale Repertory Theatre Passion Play (dir. Mark Wing-Davey)
Other Credits:

Goodman Theatre, Steppenwolf Theatre, Long Wharf Theatre, Hartford Stage Company, Seattle RepertoryTheatre, Alley Theatre, Houston, Joseph Papp Public Theatre, Shakespeare Theatre DC, McCarter Theatre, Arena Stage, Trinity Repertory Theatre, TheaterWorks, Hartford, Classic Stage Company, The Actors Theatre of Louisville, Huntington Theatre, The Angels on Tour Company, Remains Theatre Ensemble (Chicago), Westport Country Playhouse, Wisdom Bridge Theatre (Chicago), Court Theatre, American Players Theatre Milwaukee Repertory Theatre, Playmakers Repertory (NC), Michigan Ensemble Theatre, Lyric Opera of Chicago

PROFESSIONAL THEATRE TRAINING EXPERIENCE

The University of Michigan Director of Voice Training 1982-1984
The University of N. Carolina Director of Voice Training 1977-1982
Florida State University Director of Voice Training 1974-1977
National Theatre Institute of the O'Neill Center Faculty for Voice, Speech and Dialects (1992-)
Julliard School Dialect classes and production coaching (2000 -present)
NYU Tisch School of the Arts Dialect classes and production coaching 2001

ACTORS COACHED include:

Honor Blackman, Ellen Burstyn, Kate Burton, Kathleen Chalfont, Michael Cumpstey, Danny Davis, Brian Dennehy, Alvin Epstein, Albert Finney, Elizabeth Franz, Tim Hopper, John Christopher Jones, Jerome Kilty, Ted Levine, John Mahoney, John Malkovich, Roberta Maxwell, Andrew McCarthy, Kathryn Meisle, Laurie Metcalf, Zakes Mokae, Alfred Molina, Mike Myers, Denis O'Hare, Estelle Parsons, Pamela Payton-Wright, Martha Plimpton, Aidan Quinn, Lynn Redgrave, Roger Rees, John C. Reilly, Laila Robins, Mercedes Ruehl, Ken Ruta, Gary Sinese, J. Smith-Cameron, Jean Stapleton, Jim True, Natalie West

DIRECTORS WORKED WITH include:

Mark Brokaw, Michael Kahn, Joseph Chaiken, Liviu Culei, John Dillon, Kyle Donelly, Joe Dowling, Barry Edelstein, David Esbjornsen, Robert Falls, Irene Fornes, Will Frears, Frank Galati, Michael Greif, Doug Hughes, Ian Rickson, Terry Johnson, John Jory, Michael Kahn, Terry Kinney, Irene Lewis, Michael Maggio, Michael Mayer, Marion McClinton, Sharon Ott, Jeff Perry, Kim Rosenstein, Norma Saldivar, Eric Simonson, Bart Sher, John Tillinger, Les Waters, Mark Wing-Davey, Michael Wilson, Joanne Woodward, Scott Zigler, Mary Zimmerman